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Emore is...a performance journal & a space for dance criticism, a producer and curator of dance, placemaking, & new media programs, & a fiscal sponsor for Utah's independent choreographers.

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Emore is a 501(c)3 non-profit in Salt Lake City that is committed to forwarding the professional work of experimental dance artists. We fully fund some of your favorite programs like Dance Class for Humans, Monday Movement Lab, Sunday Series, Corriente Alterna, Noori Screendance Festival, as well as the 16-year-plus dance journal and K-12 dance programming in public schools.

Stephanie García is a Mexican interdisciplinary artist whose practice unfolds through collaborative, embodied, and transdisciplinary systems of inquiry. She approaches movement as relational infrastructure connecting bodies, space, perception, memory, and collective experience.

She is the co-founder and co-director of the Punto de Inflexión Project and PRO

Artes México. She has collaborated with renowned Mexican and international choreographers, performed at prominent festivals and venues in Mexico and 11 countries across the Americas, Europe, and Africa, and created more than 30 original interdisciplinary works presented internationally. Her practice has received support from Mexican, U.S., Ibero-American, Dutch, and Canadian institutions, including the 2025 John Simon Guggenheim Fellowship in Choreography.

Her work also spans screendance, curatorial practice, and the development of platforms for artistic exchange. Her films have been screened internationally, and since 2016, she has founded and curated screendance festivals, platforms, and events in Mexico and abroad. In April 2025, in collaboration with love

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Emore, she launched the live edition of Corriente Alterna, an interdisciplinary live-arts platform fostering exchange and visibility for Latine diaspora artists working across Mexico and the United States.

El Puesto: Un ritual de memoria compartida (The Stand: A Ritual of Shared Memory) is a short documentary directed by Stephanie García and Peter Hay documents a long-term participatory performance and installation by Punto de Inflexión, the interdisciplinary project co-led by García and Hay and supported by The Assemblage Art Fund grant (UMOCA/The Andy Warhol Foundation for the Visual Arts Regional Regranting Program).

Set within a market stand in northern Utah, the film captures four months of encounters with the local Latine diaspora, reflecting on the relationships, cultural memories, humor, resilience, and joy that emerged through gathering and sharing everyday experiences. Through these intimate exchanges, El Puesto celebrates the market as a space of connection, where stories and gestures become bridges between cultures, generations, and places.

Mitsu Salmon creates original performance, sound, and visual works that fuse multiple disciplines. Her work begins with personal or familial stories and expa